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The sacred in the Indian tradition is more an experience than a concept and goes much beyond the narrow confines of an organized temple or even a shrine. The gods of this tradition, as well as those who hold them sacred, are simple and unpretentious yet dignified and self-assured. Whether it is a tree that is held sacred or a naturally occurring stone that is referred to, a river that is the embodiment of divinity itself, an ancestor that is the embodiment of divinity itself, an ancestor that is worshipped, or a fabric that is simply draped, a roadside shrine on a busy street or a votive terracotta horse that is lovingly made and offered, a narrative scroll that holds its audience spell-bound; here is religion at work that is as spontaneous as it is intense, charged with faith, fervour and commitment; now private and now shared, that forms an integral part of the lived lives of these common people, be they rural or urban, tribal or traditional. The rituals and practices for these deities are neither scripted nor canonized, but what they may lack in grandeur, erudition, and ceremony, they more than make up for the faith and feeling that they generate. In a civilization that has encountered majestic truths and erected grand temples, these sacred manifestations and expressions of the ordinary people tend to be sidelined or dismissed by scholars as well as the world at large, as minor or lesser gods worthy of curiosity but not of serious study, but it is important to remember that they have a beauty and presence of their own in the pluralistic Indian tradition.
About The Author
HARSHA V. DEHEJIA has a double doctorate, one in Medicine and the other in Ancient Indian Culture both from Bombay University, in India. His first two books, The Advaita of Art and Parvatidarpana have been acclaimed.
HARSHA V. DEHEJIA | |
Gods Beyond Temples | 9 |
AMIT AMBALAL | |
The Portable Shrinathji | 15 |
SUMANTA BANERJEE | |
The Odyssey of the Bankura Horse | 19 |
NICHOLAS BARNARD | |
Bejewelled Gods | 25 |
MONISHA BHARADWAJ | |
Living with the Gods | 29 |
NARENDRA BOKHARE | |
Small Shaiva Bronzes of Maharashtra | 35 |
KUSUM BUDHWAR | |
The Court of Divine Justice: | |
Kumaon’s Golu Devata | 43 |
INDRANATH CHAUDHURY | |
Itinerant Singers: | |
Baul, the Dancing Mendicants of Bengal | 49 |
ROSEMARY CRILL | |
Thread, Cloth and Costume: | |
Textiles in the Hindu Tradition | 55 |
YASHODHARA DALMIA | |
The Gods of the Warlis | 63 |
HARSHA V. DEHEJIA | |
Urban Spaces as Visual Theophany | 69 |
DEVANGANA DESAI | |
Kurma: Support of the Cosmic Axis | 77 |
JASLEEN DHAMIJA | |
Surya: Light to Enlightenment | 83 |
THOMAS DONALDSON | |
Posts, Pots and Pebbles: | |
Aniconic Village Goddesses of Orissa | 87 |
RANJIT HOSKOTE | |
Landscape as Shrine: | |
Entering the Event Horizon of Tukaram | 95 |
MAZHAR HUSSAIN | |
Funeral Practices and Paradise Symbolism: | |
Islamic Art and Architecture | 103 |
STEPHEN HUYLER | |
Gods of the Thresholds: | |
The Liminal Arts of Hindu Householders | 111 |
STEPHEN INGLIS | |
Divinity and Pots in South India | 117 |
JAYA JAITLEY | |
The Sons of Vishvakarma | 125 |
ANEES JUNG | |
The Unknown Sufi | 131 |
MADHU KHANNA | |
Svayambhu: The Nature Icons of Prakriti | 135 |
RAVI KHANNA | |
Divinity in Sound | 143 |
SUNIL KOTHARI | |
The Rasa Lilas of Braj | 153 |
LALIT KUMAR | |
Devotional Objects of the Jains | 159 |
NANDITHA KRISHNA | |
Utsava Murtis: When Gods Go Visiting | 163 |
RICHARD LANNOY | |
Reflections on Benaras | 169 |
CORNELA MALIEBRIEN | |
Mobile Shrines in India | 173 |
CORNELA MALLEBRIEN | |
The Bronzes of Bastar | 179 |
PAOLA MANFREDI | |
The Tree of Life | 185 |
KIRIT MANKODI | |
The Deotas of Himachal | 191 |
ASHVIN MEHTA | |
Divinity in Solitude | 197 |
JAGDISH MITTAL | |
Gods of the Fabrics: | |
Sacred Images in Kalamkaris | 201 |
PUSHPESH PANT | |
Divinity of Food | 209 |
MAKARAND PARANJAPE | |
Ten Meditations on the Guru | 215 |
CHRISTOPHER PINNEY | |
Paper Gods | 223 |
HAKU SHAH | |
The Votive Horse of Gujarat | 229 |
KAVITA SINGH | |
The God Who Looks Away: | |
Phad Paintings of Rajasthan | 235 |
JAWAHAR SIRCAR | |
The Aniconic Cult of Dharma in Bengal | 241 |
TULSI VATSAL | |
The Goddess as a Pot | 249 |
ARCHANA VERMA | |
Painting the Goddess: | |
Folk Paintings from the Mithila Region | 255 |
BIMLA VERMA | |
Sanjbi: A Goddess of Murals | 261 |
About the Contributors | 265 |
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